Contact
I love working on music and am open to collaborations, producing, mixing, live performances, and other creative projects, both in person and remote. This includes composition (for albums and film), multi-instrumental session work, MIDI programming, as well as arranging and orchestration for strings, horns, layered vocals, and unconventional instruments or textures. I primarily work out of my base of operations at Secret Studio and a secondary project studio, and also travel for sessions, live shows, and record producing.
If you’re working on something and think I might be a good fit, feel free to reach out. You can use the form below or email me at ryanjewell1000@gmail.com.
Session Rates
Tracking is priced per song and recorded unattended: you send the song, I record to it, and you get the files back. If you'd rather be on the session while I play, directing as we go, those are booked by the hour instead. That can be in person, or remotely over Zoom and Audiomovers Listento. See Attended Sessions.
Volume discounts apply to per-song rates; attended sessions are discounted through the half day and day rates instead.
Two-hour minimum on hourly sessions. Attended time covers the performance and the direction; mixing, samples, and MIDI conversion are still add-ons.
Drums are most of what I do, but not all of it. I produce and co-produce records, write arrangements for strings, horns, and ensembles, play bass, guitars, keys, and synths, and work on film and score projects. I also take on production and pre-production on its own: arrangement, direction, and song shaping before anything gets tracked.
These are quoted per project, since no two look the same. Tell me what you're making and I'll put a number to it.
An extensive collection of unique vintage and modern gear. Drums: Ludwig, Slingerland, Gretsch, Pork Pie, Noble & Cooley, DW, Maestro, and Remo, some with calfskin heads. Cymbals: old K and old A Zildjians, Istanbul, and antique unbranded. Percussion: shakers, tambourines, claves, woodblocks, bells, chimes, tabla, doumbek, bongos, hand drums, rototoms, slit drums, bombo legüero, a 32″ bass drum, found objects, and unique instruments made of wood, metal, and glass. Microphones: AEA, Beyerdynamic, American, Sennheiser, Shure, Electro-Voice, Solomon, and Miktek. Treatments: tape machines, guitar pedals, and acoustic resonators, for analog and acoustic mangling.
This isn't everything. If you have a particular sound in mind and don't see it here, ask.